 |  |  |  |
|---|---|---|---|
 |  |
Chamber music composed since 2000 Discography
contact me for scores
The Reeded Cottage, 1905 (Knipton,Leicestershire) Six Compositions (CD Baby, 2017)
solo for microtonal keyboard 2019-2020 Chamber Music (Centaur Records, 2012)
Four Pieces for Guitar Quartet
guitar quartet 2018
Steal Softly Through Sunshine
oboe, violin, cello 2018
Cooking School
Pierrot ensemble w/percussion 2018
Two Movements for Mixed Sextet (Radio Free Los Angeles)
Pierrot ensemble w/percussion 2015/2017
Time Garden II
flute and piano 2017
Five Pieces for Flute and Guitar
flute and guitar 2016
The Invisible River
saxophone and piano 2016
Sete Letras
mezzo-soprano, guitar, mandolin, arpeggione 2015
text by Dom António de Bragança (1895-1964)
Four Pieces (for Twenty Strings)
guitar, mandolin, arpeggione 2014
Gong Spa
hanging gongs 2013
Central Javanese gamelan gong ageng, kempul, suwuk)
Triptych
string trio 2012
Time Garden/Afternoon Polyphonies
oboe, viola, piano 2011
The Informal Sector
concerto for two trombones & gamelan 2010
Five Scenes from the Life of Edward de Vere
mandolin, arpegione, and one player on
oboe, oboe d'amore, and English horn 2010
Trio for Oboe, Clarinet, and Piano 2008
Familiar Songs of the West
mandolin and guitar 2007
Rua Bambuí
solo guitar 2006
Letters from Brazil
soprano saxophone and guitar 2007
Astral Burlesque
chamber orchestra 2005
Aubades, Diurnes, and Nocturnes
guitar duet 2003
Flutations
flute quartet 2001
Scenarios for Five
for mixed quintet 2001
​
​
Ina Veli (vl), Armen Ksajikian (vc) & Alma Fernandez (vla) recording Triptych for string trio at Scott Fraser's Architcture Studio, Los Angeles.
Scott Fraser has provided excellent artistic and technical support in recording many of my composition and improvisation projects.
Review of Chamber Music (Centaur Records, 2012):
"Highly variable works for a fairly wide range of instruments and combinations. “Impossible Miniatures” are works described as digital soundscapes using the berimbau (African-Brazilian bow) and caxixi shaker. Tracks 1-14 are very lyrical. Tracks 15-24, electronic and abstract." Laima, of new music radio program/ WRUV
Flutations, part 1
Flutations, part 2
Flutations, part 3
I engineered and mixed the studio recording of Flutations at UCLA's electronic music studio.
Made possible by an American Composers Forum grant.
The UCLA Percussion Ensemble Conducted by Mitchell Peters
The first gestures of movement III, "Inside the Windmill," from The Celestina Fragments.
The recording is of Mitchell Peters conducting the UCLA Percussion Ensemble